Thursday, November 04, 2010

My Thoughts Exactly

I'm sure Maureen and I are not the only two people thinking about this, but this is the first thing which popped into my head upon seeing the news yesterday:

Republican Party Time
By MAUREEN DOWD

WASHINGTON

Talk about fired up and ready to go.

At a Republican victory party suffused with vengeful glee, the man who body-surfed the anti-establishment wave to become the next Speaker of the House was looking very establishment.

Even though it was predicted, it was still a shock to see voters humiliate a brilliant and spellbinding young president, who’d had such a Kennedy-like beginning, while electing a lot of conservative nuts and promoting this central-casting congressman as the face of the future: a Republican who had vowed in a written pledge to restore America to old-fashioned values, returning to a gauzy “Leave It to Beaver” image that never existed even on the set of “Leave It to Beaver.”

Republicans outcommunicated a silver-tongued president who was supposed to be Ronald Reagan’s heir in the communications department.

They were able to persuade a lot of Americans that the couple in the White House was not American enough, not quite “normal,” too Communist, too radical, too Great Society. All that Ivy League schooling had made them think they knew better than average American folks, not to mention the founding fathers.

The Speaker-in-waiting sounded the alarm: the elites in the White House were snuffing out the America he grew up in. It only took two years to realize that their direction for the country was simply, as he put it, “a contradiction with the vast majority of Americans.”

No one gets to take America away from Americans — not even the American president!

“What the American people were saying is ‘Enough!’ ” the Speaker-to-be told me, as he savored his own win and his party’s landslide, which he said was “a historical tide, not just a partisan election.”

Washington had not been listening. Washington had been scorning the deepest beliefs of Americans. And now that would have to change.

“American people are clearly fed up with what they see as the decay of American society,” he declared.

The new leader of the House took a more black-and-white approach than the nuanced president. It’s enshrined in the Declaration of Independence that you need the consent of the governed and the governed did not consent.

Ascending to third in the line of succession for the presidency: a working-class kid who rose in the House as a rabble-rouser willing to throw bombs to score points against powerful Democrats.

Now he’d be helping to run the country, saving it from what he regarded as an arrogant and out-of-touch clique of elites.

In the revolutionary flush of the electoral map glowing red, he was floating, working hard to avoid gloating (even though Sean Hannity was around, gloating about the pain about to befall the Democratic president).

But he could not resist taking a few jabs at the “liberal media elite” distorting things, and a few more at a puffed-up White House that got punished for not paying enough attention to people’s anxieties.

“They had an enormous opportunity to bring about change and they failed, and I don’t say that harshly,” he said, adding: “They really are left-wing elitists and they really thought the country didn’t get it, and, therefore, it was their job to give the country the government that they thought the country needed, even if they didn’t want it. That’s the whole history of the health plan.”

There was a lot of talk, as in the campaign, about the misbegotten health care plan, about balancing the budget, about lowering the deficit and taxes, about doing something on abortion and bloated government. Meanwhile, bloated fat-cat lobbyists were dancing down K Street.

The next Speaker felt that the humbled president should take the election as a cue to be conciliatory, and he proposed they talk in the next few days. He offered to reach out to Democrats who wanted to work with his side, but also noted that the president would not be wise to stand in the way of the conservative agenda.

“I prefer to believe that this president, who is clearly very smart, is quite capable of thinking clearly about a message sent by the American people,” he said.

He said that, contrary to what the media elite had been jabbering about, he would not use his subpoena power to rain down a series of investigations on the Democratic administration.

No “witch hunts,” he said. Only “legitimate” investigations.

Yeah, that all worked out for Newt Gingrich. He really came through. The quotes above came from Gingrich, when I covered his heady victory in Marietta, Ga., in the 1994 Republican landslide that made him Speaker.

And, obviously, the Republican House only pursued “legitimate” investigations of Bill Clinton. Sixteen years later, as a weeping John Boehner extolled the American values he learned at his father’s bar — in the moment he dethroned Nancy Pelosi — the new crop of anarchic conservatives are saying all the same things.

God help the Republic. And, Mr. Speaker, in the immortal words of Sharron Angle, man up!


Same as the old boss...

I've always wanted to bang Maureen Dowd except I think she'd be annoying to talk to.

Tuesday, November 02, 2010

Phinding Yourselves

Having spent a good amount of time giving Phish the business since their return over a year ago, it is time to give them a pat on the proverbial back after this recent Halloween performance. It was quite possibly their finest performance in over a decade, and in many ways the best "costume" album they've ever done.

I want to say at the outset, the problems affecting the band are still quite prevalent. Trey's inability to play with the same fluidity as he once did, especially at high speeds is clearly evident, yet it often doesn't stop him from trying. It is most glaring when the band is playing one of their own songs, like the Stash during the first set on Halloween night. As the song neared its crescendo, Trey once again, as I assumed he would, lost his way. It's not as obvious as it was when they first started playing again in 2009, but it's there. My friend turned to me toward the end of the song and took the words out of my mouth, "That last 15 seconds was the worst Phish I've heard."

"Yeah, that's pretty much what I was trying to explain, but avoided doing so as not to taint the situation." She had not seen Phish since 2004, and that was Coventry.

Even with this lingering issue (it will never go away), the band still managed to play a VERY fun, upbeat, and exciting first set. It was a perfect precursor for what was to come in the second, which was Little Feat's "Waiting for Columbus."

When we entered the venue I immediately looked for the PHISHBILL to find out what was going to be played. My two friends thought it was a joke, not realizing the band hands out these pamphlets. Once I saw the cover I thought to myself, "this could be interesting." Then I texted my man Guy S., and he gave me the digital thumbs up. I was excited.

So after hearing the first set, and recognizing the vibe they were going for, I had no doubt in my mind it was going to be fantastic, and it was. From the moment the first song began they never let up.

When Phish adds extra musicians to the band, especially a power horn section, they can literally do no wrong. I'm not going to pick out parts which were amazing/best, etc., but again just to reiterate, it was a near flawless performance.

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As for what made this album better than previous Halloweens, the band has seemingly acknowledged their limitations, and embraced what they do best. They chose the perfect type of album to put on display the best of their abilities. "Waiting for Columbus" allowed them to play relaxed, and have a good time. It is not a highly technical album, and it does not require any member, especially Trey, to be the best musician in the world from a technical level. Having chosen Zappa's "Joe's Garage" or anything extremely technical, which people yearn for, and the show would be half as good.

In choosing this album the band is able to do the things they now do best, and play at their highest level without missing a beat. For the most part, my feeling was relayed back to my friend during the show when I told her, "They're basically the best band you'll ever hear at Jazzfest." And in truth, what could possibly be better than that?

When you consider the types of bands who excel playing funk, and do play events like Jazzfest, you realize they're not all the most technically unbelievable, but they understand the audience in front of them. I would argue no band in history has understood their audience like Phish. With that being said, playing an upbeat, fun, funky album like this was completely different from what they've tried in the past, and yet so much more perfect because the timing of it completely relates to who they are today.

Looking backward and forward, the only previous album which had a profound effect on who they were as a band was "Remain in Light", played in 1996. The Talking Heads album completely changed the way the band would perform for the next 14 years. Standing inside Boardwalk Hall I started thinking about the effect this album would/could have on them going forward.

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The days of me looking for epic moments from this band have passed. And while they may not have played at the technically high level they have in previous years, they played with a maturity, understanding, and energy they may never have before. The band made a conscious decision to choose a piece they could play best. They did not play the greatest album in the world, and that does not matter. It's not so much what they play, but how they play. There are clearly better album options, but it comes down to what album can this band play best. This is one of those albums. Without having to look for it, or even caring to, an epic moment did happen, and I was very happy to have witnessed it.

I'm not delusional to think this is going to be consistent, or that we've returned to the level of years ago, but if the band is self-reflective and inward looking as they go forward I expect they will be playing amazing music for many years to come. It won't always be music I always want to hear or a performance I want to see, but as long as it's forward looking with regard to their own capabilities, it will be great in its own way.

Phish has always been a band that looked forward, and changed as they grew. These days it would seem to me the growth is one of maturity, and not physicality/skill. Having seemingly recognized this they have proven to me that once again they can completely surprise me.

And that's always been the best part of this band...at least for me.

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I still don't care about the lights. Never have. Never will. Sorry :-(